DISCUSSION ABOUT HOMETOWN

Li Yongping's special experience of diaspora makes him have a special focus on the discussion of "hometown". Unlike ordinary Chinese writers, the term "Yuanxiang" can almost be taken for granted to point to mainland China. Li Yongping's "hometown" can refer to three places at the same time, namely Borneo, China, and Taiwan. The three places are his hometowns, but they all have their own shortcomings. Borneo is his hometown. However, a kind of colonial attribute makes cultural and political factors mixed together, and he has no way to have a cultural identity with this place. In his earlier novels, he continued to turn to China's origin identity by stating the heterogeneity of Borneo culture. And China is the original place of his ethnic group, that is, the hometown of culture, but due to historical factors and political situation, he failed to return to China, making China an imaginary hometown. In creation, China continues to present itself in cultural identity as a mother. As for Taiwan, it is the place where he studied, that is, the hometown of academics. Taiwan not only retains the characteristics of Chinese culture, but also has the trajectory of his learning. It is a hometown with both experience and cultural characteristics. However, Taiwan is not complete in these two aspects, so the image of Taiwan in his novels becomes the sinful city of Haidong, lacking in culture. Generally speaking, in the discussion of "hometown", Li Yongping's position is not the alienated and unfamiliar hometown, but the lost hometown, which means that the hometown can no longer be returned, and there will always be a gap between culture and place of memory.

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CHINESE CULTURE

Because of his Chinese identity, Li Yongping is very particular about the words he chooses when creating, and Chinese orthodoxy should be the primary criterion. In terms of syntax, he avoided Western-style sentences as much as possible. In terms of words, he tried to use existing words in Chinese culture as much as possible, and tried to redevelop words that appeared in the past to expand the use of Chinese characters. In addition to the expression of Chinese culture at the text level, it is not difficult to find Chinese-style writing in the content of the novel. For example, the concept of retribution in China and the writing of ghosts can be found in Li Yongping's novels. In addition, he specifically mentioned the Hakka ethnic group. He does not deliberately emphasize the identity of the Hakka ethnic group in his creations, but he believes that the spirit of the Hakka people still has a certain influence in his creations.

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ANTI-WESTERNIZATION

"Anti-Westernization" is a rather special style in Li Yongping's works, and it is mainly a characteristic derived from dealing with local literature. In terms of nationality, it provides affirmation of its own culture, allowing its own nation to have its own identity; in terms of literary creation form, it can clearly mark the center of writing, especially in "Ji In terms of literary development, it echoes the local literature in the 1970s. The content and style of the genre advocated at that time were mainly written to reflect real life for Taiwan, which relied on foreign aid at that time, and used Resist external influences. Under such a writing concept, Li Yongping's works echo the local literature, and hold a critical and corrective attitude towards some shortcomings of foreign cultures in his works.

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FEMINISM

In Li Yongping's novels, there are quite a lot of descriptions of women, which is special compared to other novels. By describing innocent women, compare the cities where those women live. The crime and filth of those cities are extremely strong and unbearable. Further, in the writings that lead to the loss of innocence, the destruction of families, and the fall of the country, women still occupy a considerable position in the writings, and even mean the beginning of revenge. Especially when writing about the mother, the mother has changed from the role of the builder to a role similar to that of the destroyer. This contrast is even more shocking. [11][12] In addition, regarding the description of strong women, Li Yongping personally believes that it is related to the perseverance of the Hakka people.